Azərbaycan Milli Elmlər Akademiyası
İnsan resursları və elmmetrik məlumatlar bazası
İnsan resursları və elmmetrik məlumatlar bazası
Fizuli Mustafayev
ANAS_1253
Elmi fəaliyyət
Qeyd: Elmi işlərin xülasələri əsasında süni intellekt (Gemini AI) tətbiqi ilə tərtib olunmuşdurÜmumi xülasə (AI):
Fizuli Mustafayev Azərbaycan Milli Elmlər Akademiyasının (AMEA) Nəsimi adına Dilçilik İnstitutunun Tətbiqi dilçilik şöbəsində çalışan elmi işçidir. O, kinodili, onomastika, terminologiya, sintaksis və üslubiyyat kimi sahələrdə tədqiqatlar aparır. Google Scholar-da 28 nəşri qeydə alınıb, lakin h-indeksi və i10-indeksi hələlik sıfırdır. Onun elmi fəaliyyəti kinodili ilə bağlı müxtəlif aspektləri, o cümlədən frazalar, cümlələr, intonasiya, leksik vahidlər və terminologiyanı əhatə edir.
Fizuli Mustafayev is a researcher at the Department of Applied Linguistics of the Nasimi Institute of Linguistics of the Azerbaijan National Academy of Sciences (ANAS). His research interests include film language, onomastics, terminology, syntax, and stylistics. According to his Google Scholar profile, Mustafayev has 28 publications, but his h-index and i10-index are currently zero. His research focuses on various aspects of film language, including phrases, sentences, intonation, lexical units, and terminology.
Физули Мустафаев - научный сотрудник Отдела прикладной лингвистики Института языкознания имени Насими Национальной Академии Наук Азербайджана (НАНА). Его научные интересы включают язык кино, ономастику, терминологию, синтаксис и стилистику. Согласно его профилю в Google Scholar, у Мустафаева 28 публикаций, но его h-индекс и i10-индекс в настоящее время равны нулю. Его исследования сосредоточены на различных аспектах языка кино, включая фразы, предложения, интонацию, лексические единицы и терминологию.
Fizuli Mustafayev is a researcher at the Department of Applied Linguistics of the Nasimi Institute of Linguistics of the Azerbaijan National Academy of Sciences (ANAS). His research interests include film language, onomastics, terminology, syntax, and stylistics. According to his Google Scholar profile, Mustafayev has 28 publications, but his h-index and i10-index are currently zero. His research focuses on various aspects of film language, including phrases, sentences, intonation, lexical units, and terminology.
Физули Мустафаев - научный сотрудник Отдела прикладной лингвистики Института языкознания имени Насими Национальной Академии Наук Азербайджана (НАНА). Его научные интересы включают язык кино, ономастику, терминологию, синтаксис и стилистику. Согласно его профилю в Google Scholar, у Мустафаева 28 публикаций, но его h-индекс и i10-индекс в настоящее время равны нулю. Его исследования сосредоточены на различных аспектах языка кино, включая фразы, предложения, интонацию, лексические единицы и терминологию.
Tədqiqat maraqları (AI):
Tətbiqi dilçilik, kinodili, onomastika, leksikologiya, sintaksis, üslubiyyat
İxtisas sahələri (AI):
Tətbiqi dilçilik, kinodili, onomastika, leksikologiya, sintaksis, üslubiyyat
Şəxsi məlumatlar
Tam Adı:
Fizuli Nəcməddin oğlu Mustafayev
Elmi dərəcə:
Filologiya elmləri doktoru
Elmi ad:
Təvəllüd:
Ünvan:
Telefon:
Email:
İş yeri məlumatları
Təşkilat / Şöbə:
Nəsimi adına Dilçilik İnstitutu / Tətbiqi dilçilik şöbəsi
Vəzifə:
Aparıcı elmi işçi
Əsas iş yeri:
Bəli
İşləmə müddəti:
1 Yanvar 2024 –
H/h
| İşin adı | Jurnalın adı, Nəşriyyat, cild, N | Müəlliflər | İstinad sayı | Nəşr tarixi | Abstrakt və oxşar məqalələr |
|---|---|---|---|---|---|
| ON THE FORMATION OF COMPOUND NAMES IN THE LANGUAGE OF CINEMA ACTIVELY PARTICIPATING ELEMENTS | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to the elements …
The article is devoted to the elements actively involved in the creation of complex names in film language. Not all elements have the same role and importance
Daha çox
Əlaqəli məqalələr(Google) |
| Film language and semantic structure of the text | Linguistic Researches /N: 2 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to the cinematic …
The article is devoted to the cinematic language and the semantic structure of the text. Here, in
Daha çox
Əlaqəli məqalələr(Google) |
| COMBINATIONS OF NOUNS IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 3 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to the composition …
The article is devoted to the composition of names in the language of cinema. Compositions of
Daha çox
Əlaqəli məqalələr(Google) |
| About conjugation of verb with postposition in the language of cinema | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to verb combinations …
The article is devoted to verb combinations with postposition in the language of cinema. These combinations are formed using postpositions. The postposition is the associative method between the combinations. At the same time, postpositions play an important role in the semantic relations between the combinations.
Daha çox
Əlaqəli məqalələr(Google) |
| СOMBINATIONS OF THE VERB–VERB TYPE IN THE CINEMA LANGUAGE | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to the combinations …
The article is devoted to the combinations verb–verb in the language of cinema. In these combinations, the connections between the parts with grammatical meanings are not so diverse. To summarize, we can say that the role of compound gerunds in the language of cinema is the same as the role of the first parts of compound gerunds.
Daha çox
Əlaqəli məqalələr(Google) |
| PHRASES AND SENTENCES IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to the problem …
The article is devoted to the problem of phrases and sentences in the language of cinema. Sentences and phrases are syntactic units of the language that do not depend on each other, but are very
Daha çox
Əlaqəli məqalələr(Google) |
| Nominal combinations of verbs in the language of cinema | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to the nominative …
The article is devoted to the nominative case in the language of cinema. One of the main features that distinguishes verb combinations of Turkish systemic languages from verb combinations in other languages is the ability of nouns to participate in these combinations.
Daha çox
Əlaqəli məqalələr(Google) |
| About management communication in the language of cinema | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to management communication …
The article is devoted to management communication in the language of cinema. In movie terms, a governing relationship is between the sides of the underlying object and the relational relationships. The main feature of administrative relations is that the subordinate clause must be in one form or another at the request of the subordinate clause.
Daha çox
Əlaqəli məqalələr(Google) |
| Folk words and expressions in the language of feature film “Nizami” | Azerbaijan Literature Studies /N: 2 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to folk words …
The article is devoted to folk words and folk expressions in the language of the feature film “Nizami”. It is noted that centuries ago Nizami was an artist who promoted freedom, equality, free labor and wished happiness to humanity. He wanted the happiness and independence of nations, their freedom from all forms of oppression and exploitation. In the film, Nizami fights for workers' rights. He glorified his people all over the world and wished them an equal cultural life. These statements are central to the article. Elsewhere in the article it is noted that, despite the fact that Nizami wrote his works in Persian, he always considered himself an Azerbaijani and always borrowed his figurative expressions from the people, the living language of the people. Nizami has only expressive features of the Azerbaijani people, which were not understood by most of the later commentators. Because in order to correctly understand these features knowing the subtleties of the Azerbaijani language is presented vividly. The article notes that many Azerbaijani words are used in Nizami's poems. Some of these words came out of the living language today and survived only in folk poetry.
Daha çox
Əlaqəli məqalələr(Google) |
| RULES FOR THE USE OF SENTENCE TYPES IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the rules …
The article is devoted to the rules for using types of sentences in the language of cinema. In general, simple sentences are recommended. In addition to limiting the structure of speech in cinema, attempts are made to limit the
Daha çox
Əlaqəli məqalələr(Google) |
| FOLK WORDS AND FOLK EXPRESSİONS İN THE LANGUAGE FEATURE FİLM “NİZAMİ” | Linguistic Researches /N: 2 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to folk words …
The article is devoted to folk words and folk expressions in the language of the feature film" Nizami". It is noted
Daha çox
Əlaqəli məqalələr(Google) |
| INTERPRETATION OF KINOSENSORY AND LANGUAGE IMAGES | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2020 |
The article is interpreted by the interpretation …
The article is interpreted by the interpretation of the script and the script. Поиск текстов поэзии, лирической поэзии и экранные изображений, is one of the topical aspects of the relationship between cinema and poetry and a great
Daha çox
Əlaqəli məqalələr(Google) |
| Some considerations of style position of cinema language in Azerbaijan | Problems of Arts and Culture /Cild: 70 /N: 4 | Fizuli Mustafayev | 0 | 2019 |
Together with mass media the film has …
Together with mass media the film has very important role in protecting our national mental values. In the presented artice the film language, oral literary language and the professionalim of the film actor in the pronounciation of oral literary language are analyzed. While speaking the film language being closer to the spoken language several reasons are shown: The basic reason is to protect the natural colour, initial curiosity and national character of the language. Furthermore, it is emphasized that the national character of language is very important chracteristic feature of the f ilm language. In several parts of the paper it is spoken about popularizing of the film language and the author criticizes active usage of slangs, vulgar words and jargons in the film language. Samples from different Azerbaijan films in several parts of the paper arouse great interest.
Daha çox
Əlaqəli məqalələr(Google) |
| Azerbaijani ktematonyms in the language of cinema | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2024 |
In another section of the article, chrononyms …
In another section of the article, chrononyms are discussed and explained. The article also pays special attention to ideonyms. It is noted that ideonyms include special names associated with science, culture and literature. Publishing, press names are also considered ideonyms. The last section of the article is devoted to ergonomics. The names of offices and enterprises, operas, theaters, cinemas and canteens, cafes, restaurants refer to ergonomics. The article uses many examples from literature and cinema.
Daha çox
Əlaqəli məqalələr(Google) |
| Some onomastic stylistic features of written literature place in film language | Terminology Issues /Cild: 1 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to the place …
The article is devoted to the place of some onomastic stylistic features of written literature in the language of cinema. The stylistic possibilities of onomastic units are somewhat different from folklore ones in their features and characteristics. This can be said about the majority of onomastic units. Film scripts report that the same name is used in several films. It is also said that any names serve a specific purpose.
Daha çox
Əlaqəli məqalələr(Google) |
| Some onomastic stylistic features of oral literature in the language of сinema | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to some onomastic …
The article is devoted to some onomastic stylistic features of oral literature in the language of
Daha çox
Əlaqəli məqalələr(Google) |
| On reconciliation in the language of cinema | Terminology Issues /Cild: 2 | Fizuli Mustafayev | 0 | 2023 |
The presented article is devoted to the …
The presented article is devoted to the relationship of harmony in the language of cinema. In the language of cinema, reconciliation relationships are associated with personality and quantity. This means that whoever the subordinate side belongs to, the subordinate side also takes on the grammatical features that belong to that person, and the subordinate's singular and plural are also reflected in the subordinate side.
Daha çox
Əlaqəli məqalələr(Google) |
| Phrases and syntax in the language of cinema | Terminology Issues /Cild: 1 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to phrases and …
The article is devoted to phrases and syntagas in the language of cinema. The problem of syntax does not have a very ancient history as an independent topic. Even independent scientific research has not been written about this either in general linguistic terms, or in materials of different languages. Therefore, the article pays special attention to this issue. Research shows that this is a completely new issue for both Turkic studies and Azerbaijani linguistics. Along with all this, in our linguistics, the original features of the syntax are noted, which do not replace other issues. In these aspects of the cinema language, the thoughts on syntax are interesting. According to the research carried out in the article, it is these features that allow the syntagma to live and stand out as an independent topic. It should be noted that syntax in linguistics is not fixed on a specific object. However, linguistics does not tackle the issue of …
Daha çox
Əlaqəli məqalələr(Google) |
| Using sentence types for intonation in cinematic language | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the rules …
The article is devoted to the rules of using sentence types for intonation in the language
Daha çox
Əlaqəli məqalələr(Google) |
| Rules for using sentence types according to intonation in cinema language | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the rules …
The article is devoted to the rules for the use of types of sentences on intonation in the
Daha çox
Əlaqəli məqalələr(Google) |
| Lexico-semantic features of the ethnonyms of the cinema language | Terminology Issues /Cild: 2 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to the lexical …
The article is devoted to the lexical and semantic features of ethnonyms in film language. It is noted that the study of the lexical and semantic features of ethnonyms provides interesting facts both for the history of the language and for the modern literary language. Therefore, ethnonyms were in the center of attention of linguists as an onomastic unit.
Daha çox
Əlaqəli məqalələr(Google) |
| About the feature film “Arshin Mal Alan” | Problems of Arts and Culture /Cild: 80 /N: 2 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to the language …
The article is devoted to the language and style of the feature film “Arshin Mal Alan”.“Arshin Mal Alan” gives extensive information about the language of all known poems and gazelles. There are analyzed the conversations and monologues of Askar, Asi, Gulchohra, Telli, Sultanbek and other characters. The article gives an idea of the modern Leyli and Asli of Uzeyir-bey. Uzeyir-bey tells the audience that the female devotion they hear in the works is not a legend, but a real Gulchohra. The article promotes storytelling. In other works, loyalists like Gulchohra protest only in their hearts. Gulchohra, in turn, open her chest, takes out the heart and puts it outside. The words in her tongue are the beats of her heart. It is noted that it is the use of poetic expressions that turns the film into an operetta. The article says that, taking into account musical performance and musical
Daha çox
Əlaqəli məqalələr(Google) |
| ABOUT COMBINATIONS OF ADVERBS AND VERBS IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2025 |
The article is devoted to combinations of …
The article is devoted to combinations of adverbs and verbs in the language of cinema. It is clear that in the language of cinema, the expression" act like an envelope" can be understood in different contexts. All words that act as an envelope in a sentence can be interpreted as words that simultaneously act as an envelope. According to the study, in the language of cinema the formula" envelope-verb" has a broader meaning, and we, in principle, do not limit the first part of these combinations to words included in the envelope as part of speech. This is inferred from the meaning that the semantic relationship between the sides of an adverb and a verb is mainly determined by the meaning of the first sides. In this regard, the presence of a number of ties between the
Daha çox
Əlaqəli məqalələr(Google) |
| Language and style features of the feature film “Is not that one, then this one” | Problems of Arts and Culture /Cild: 77 /N: 3 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the language …
The article is devoted to the language and style of the feature film “O olmasın bu olsun”. The article explores interesting aspects of the film. The main character here is Mashadi Ibad. He’sa comic character. But this is not satirical. For example, Mardjan bey wants to get a new wife, but the public hates him. Mashadi Ibad also wants to get married in old age, but the audience does not hate him, he laughs sweetly. His comedy is different in age from the girl he married. However, the transfer of girls at a young age is considered a national tradition in our country. The article says that Gulnaz Aliyeva, the bride of Mashadi Ibad, is fifteen years old, and this is perceived as an act contrary to family problems. It even appears in the film that Gulnaz loves Sarvar and marries him. So it’s time for Gulnaz to get married. The article talks about Mashadi’s greed. Haji Gara is stingy and the public hates him. But Mashadi doesn’t hate Ibada. Haji Gara hides his money and does not spend it on his family. But Mashadi, if necessary, pours his money left and right, and gives money for bathing to intellectuals. How many people owe him–if he was stingy, he would not give. As for one of the porters’ abbeys, this is Uzeyir-bek’s own business. When Mashadi gave the money to the porter, one of the laugh lines broke off. Mashadi Ibad is well-known, he has good financial skills. He has a lot of money, he has a state. He even
Daha çox
Əlaqəli məqalələr(Google) |
| Pronunciation methods in movie of Azerbaijan | Problems of Arts and Culture /Cild: 59 /N: 1 | Fizuli Mustafayev | 0 | 2017 |
The provided article deals the pronunciation methods …
The provided article deals the pronunciation methods in movie of Azerbaijan. Research of literary pronunciation methods is one of the most important problems for learning of movie language. Film di rectors and actors use various pronunciation forms as methodical means in order to revive of inner moral life of characters more widely and to perform these characters comprehensively in the eyes of audiences. They differ negative and positive characters from purpose, condition, communication features point of views.
Daha çox
Əlaqəli məqalələr(Google) |
| Tarix | Ümumi Məqalə sayı | Ümumi İstinad sayı | h index | i10 index |
|---|---|---|---|---|
| 1 Noyabr 2025 | 31 | 0 | 0 | 0 |
| 1 Oktyabr 2025 | 30 | 0 | 0 | 0 |
| 1 Sentyabr 2025 | 28 | 0 | 0 | 0 |
| 1 Avqust 2025 | 28 | 0 | 0 | 0 |
| 1 İyul 2025 | 27 | 0 | 0 | 0 |
| 1 İyun 2025 | 25 | 0 | 0 | 0 |
| 1 May 2025 | 24 | 0 | 0 | 0 |
| 1 Aprel 2025 | 22 | 0 | 0 | 0 |
| 1 Mart 2025 | 22 | 0 | 0 | 0 |
| 1 Fevral 2025 | 21 | 0 | 0 | 0 |
| 1 Yanvar 2025 | 21 | 0 | 0 | 0 |
| 1 Dekabr 2024 | 18 | 0 | 0 | 0 |
| 1 Noyabr 2024 | 18 | 0 | 0 | 0 |
| 1 Oktyabr 2024 | 18 | 0 | 0 | 0 |
| 1 Sentyabr 2024 | 17 | 0 | 0 | 0 |
| 1 Avqust 2024 | 12 | 0 | 0 | 0 |
| 1 İyul 2024 | 10 | 0 | 0 | 0 |
| 1 İyun 2024 | 4 | 0 | 0 | 0 |
Content for WOS.
| İşin adı | Jurnalın adı, Nəşriyyat, cild, N | Müəlliflər | İstinad sayı | Nəşr tarixi | Abstrakt və oxşar məqalələr |
|---|---|---|---|---|---|
| ON THE FORMATION OF COMPOUND NAMES IN THE LANGUAGE OF CINEMA ACTIVELY PARTICIPATING ELEMENTS | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to the elements …
The article is devoted to the elements actively involved in the creation of complex names in film language. Not all elements have the same role and importance
Daha çox
Əlaqəli məqalələr(Google) |
| Film language and semantic structure of the text | Linguistic Researches /N: 2 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to the cinematic …
The article is devoted to the cinematic language and the semantic structure of the text. Here, in
Daha çox
Əlaqəli məqalələr(Google) |
| COMBINATIONS OF NOUNS IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 3 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to the composition …
The article is devoted to the composition of names in the language of cinema. Compositions of
Daha çox
Əlaqəli məqalələr(Google) |
| About conjugation of verb with postposition in the language of cinema | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to verb combinations …
The article is devoted to verb combinations with postposition in the language of cinema. These combinations are formed using postpositions. The postposition is the associative method between the combinations. At the same time, postpositions play an important role in the semantic relations between the combinations.
Daha çox
Əlaqəli məqalələr(Google) |
| СOMBINATIONS OF THE VERB–VERB TYPE IN THE CINEMA LANGUAGE | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to the combinations …
The article is devoted to the combinations verb–verb in the language of cinema. In these combinations, the connections between the parts with grammatical meanings are not so diverse. To summarize, we can say that the role of compound gerunds in the language of cinema is the same as the role of the first parts of compound gerunds.
Daha çox
Əlaqəli məqalələr(Google) |
| PHRASES AND SENTENCES IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to the problem …
The article is devoted to the problem of phrases and sentences in the language of cinema. Sentences and phrases are syntactic units of the language that do not depend on each other, but are very
Daha çox
Əlaqəli məqalələr(Google) |
| Nominal combinations of verbs in the language of cinema | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to the nominative …
The article is devoted to the nominative case in the language of cinema. One of the main features that distinguishes verb combinations of Turkish systemic languages from verb combinations in other languages is the ability of nouns to participate in these combinations.
Daha çox
Əlaqəli məqalələr(Google) |
| About management communication in the language of cinema | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to management communication …
The article is devoted to management communication in the language of cinema. In movie terms, a governing relationship is between the sides of the underlying object and the relational relationships. The main feature of administrative relations is that the subordinate clause must be in one form or another at the request of the subordinate clause.
Daha çox
Əlaqəli məqalələr(Google) |
| Folk words and expressions in the language of feature film “Nizami” | Azerbaijan Literature Studies /N: 2 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to folk words …
The article is devoted to folk words and folk expressions in the language of the feature film “Nizami”. It is noted that centuries ago Nizami was an artist who promoted freedom, equality, free labor and wished happiness to humanity. He wanted the happiness and independence of nations, their freedom from all forms of oppression and exploitation. In the film, Nizami fights for workers' rights. He glorified his people all over the world and wished them an equal cultural life. These statements are central to the article. Elsewhere in the article it is noted that, despite the fact that Nizami wrote his works in Persian, he always considered himself an Azerbaijani and always borrowed his figurative expressions from the people, the living language of the people. Nizami has only expressive features of the Azerbaijani people, which were not understood by most of the later commentators. Because in order to correctly understand these features knowing the subtleties of the Azerbaijani language is presented vividly. The article notes that many Azerbaijani words are used in Nizami's poems. Some of these words came out of the living language today and survived only in folk poetry.
Daha çox
Əlaqəli məqalələr(Google) |
| RULES FOR THE USE OF SENTENCE TYPES IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the rules …
The article is devoted to the rules for using types of sentences in the language of cinema. In general, simple sentences are recommended. In addition to limiting the structure of speech in cinema, attempts are made to limit the
Daha çox
Əlaqəli məqalələr(Google) |
| FOLK WORDS AND FOLK EXPRESSİONS İN THE LANGUAGE FEATURE FİLM “NİZAMİ” | Linguistic Researches /N: 2 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to folk words …
The article is devoted to folk words and folk expressions in the language of the feature film" Nizami". It is noted
Daha çox
Əlaqəli məqalələr(Google) |
| Azerbaycan Sinema Dilinde Doğru Telaffuz Normları | Akademik Tarih ve Düşünce Dergisi / Hakan YILMAZ /Cild: 7 /N: 2 səh: 1195-1207 | Fizuli Mustafayev | 0 | 2020 |
As a rule of cinematic language, the …
As a rule of cinematic language, the correct pronunciation is the norm in control, it is natural to pass his exams. Because orthoepy is the systematic whole of the rules of pronunciation which form the oral branch of written language based on general norms, in other words, which reflects phonetically dictation and addressing norms. Today, the peoples of the world social economic, cultural and spiritual relationship as a result of our language has entered new words. These words are usually pronounced for the first time on television and also transferred into the language of film artists. We are faced with an important event in terms of audio pronunciations places in cinematic language. These events include hardening, nasalization, diftonging and softening-flattening, and b. In practice, however, we sometimes encounter a completely opposite situation. We have to determine pronunciation mistakes made by players in the Azerbaijan cinema in this study are to find and examine the causes of these errors. Grammar must describe the analytic approach method is used when research.
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| INTERPRETATION OF KINOSENSORY AND LANGUAGE IMAGES | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2020 |
The article is interpreted by the interpretation …
The article is interpreted by the interpretation of the script and the script. Поиск текстов поэзии, лирической поэзии и экранные изображений, is one of the topical aspects of the relationship between cinema and poetry and a great
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| SİNEMA DİLİ VE SÖZLÜ EDEBİ DİL. | Journal of World of Turks/Zeitschrift für die Welt der Türken /Cild: 12 /N: 1 | Fizuli MUSTAFAYEV | 0 | 2020 |
Sinema ve medya, yüksek değerlere ulaşmada önemli …
Sinema ve medya, yüksek değerlere ulaşmada önemli bir rol oynamaktadır. Makalede, sinema dili ile sözlü edebi dilin yanı sıra sinema oyuncularının diline yansıması ve onların edebi dil bilgisindeki kullanış profesyonelliği düzeyi hakkında konuşulmaktadır. Makalede film dilinin konuşma diline daha yakın olduğu söylenirken çeşitli nedenler gösterilmiştir: Temel neden, dilin doğal rengini, zengin bir halk ruhunda aşılanan fikrin birincil unsurunun korunmasını ve milli karakterini korumaktır. Ayrıca, makalede dilin milli karakterinin film dilinin çok önemli karakteristik özelliği olduğu vurgulanmaktadır. Makalenin bazı bölümlerinde film dilinin popülerleştirilmesi hakkında konuşulmakta ve yazar, film dilinde argoların, kaba kelimelerin ve jargonların aktif kullanımını eleştirmektedir. Değişik Azerbaycan filmlerinden verilen örneklerle sözlü edebi dilin kurallarının bozulduğu makalede tartışılmıştır.
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| RESEARCH OF CRITICAL POINTS IN THE ENERGY SPECTRUM TlInSe2 | Ele /Cild: 3 səh: T10 | ST Kagramanova, FA Mustafayev, NA Djavadov | 0 | 2000 |
The present work is devoted to detail …
The present work is devoted to detail study and improvement of the band structure THnSe2. With this purpose we analyzed the spectroellipsometric measurement results of imaginary and real parts of dielectric function in an energy range E= 1, 2-3, 02 eV for detection of Van-Hove singularities. The classification of the found structures, identification to their transitions in the earlier designed band structure TlInSe2 is carried out. The correlation energy position of structures observed in TilnSe2 with the energy position of structures found in base crystal TISe is found.
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| CRITICAL POINTS OF SPECTRUM OF THE DIELECTRIC PERMEABILITY OF THALLIUM-SELENIUM | book | F GASHIMZADE, S KAGRAMAI40VA, F MUSTAFAYEV, N DJAVADOV | 0 | 0 |
The analysis of the" tines form of …
The analysis of the" tines form of spectra second derivative of main components of the dieiecliie permeability TiSe tensor near to criticai points were carried out. On muity angular method in two orientations oí relatively optical axis of a crystal carried out spectraelipsonielrical researches at 1,240-3, Û25eV data were used. The energies of critical points (I), spread parameters (F) and amplitude (A). The majority of the revealed structures are identified and are compared to the eariier found out structures in spectta reflection, thermoreflection and absorbtion.
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| SİNEMA DİLİ VE SÖZLÜ EDEBİ DİL CINEMA LANGUAGE AND ORAL LITERARY LANGUAGE | book | Fizuli MUSTAFAYEV | 0 | 0 |
Sinema ve medya, yüksek değerlere ulaşmada önemli …
Sinema ve medya, yüksek değerlere ulaşmada önemli bir rol oynamaktadır. Makalede, sinema dili ile sözlü edebi dilin yanı sıra sinema oyuncularının diline yansıması ve onların edebi dil bilgisindeki kullanış profesyonelliği düzeyi hakkında konuşulmaktadır. Makalede film dilinin konuşma diline daha yakın olduğu söylenirken çeşitli nedenler gösterilmiştir: Temel neden, dilin doğal rengini, zengin bir halk ruhunda aşılanan fikrin birincil unsurunun korunmasını ve milli karakterini korumaktır. Ayrıca, makalede dilin milli karakterinin film dilinin çok önemli karakteristik özelliği olduğu vurgulanmaktadır. Makalenin bazı bölümlerinde film dilinin popülerleştirilmesi hakkında konuşulmakta ve yazar, film dilinde argoların, kaba kelimelerin ve jargonların aktif kullanımını eleştirmektedir. Değişik Azerbaycan filmlerinden verilen örneklerle sözlü edebi dilin kurallarının bozulduğu makalede tartışılmıştır.
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| Some considerations of style position of cinema language in Azerbaijan | Problems of Arts and Culture /Cild: 70 /N: 4 | Fizuli Mustafayev | 0 | 2019 |
Together with mass media the film has …
Together with mass media the film has very important role in protecting our national mental values. In the presented artice the film language, oral literary language and the professionalim of the film actor in the pronounciation of oral literary language are analyzed. While speaking the film language being closer to the spoken language several reasons are shown: The basic reason is to protect the natural colour, initial curiosity and national character of the language. Furthermore, it is emphasized that the national character of language is very important chracteristic feature of the f ilm language. In several parts of the paper it is spoken about popularizing of the film language and the author criticizes active usage of slangs, vulgar words and jargons in the film language. Samples from different Azerbaijan films in several parts of the paper arouse great interest.
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| Azerbaijani ktematonyms in the language of cinema | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2024 |
In another section of the article, chrononyms …
In another section of the article, chrononyms are discussed and explained. The article also pays special attention to ideonyms. It is noted that ideonyms include special names associated with science, culture and literature. Publishing, press names are also considered ideonyms. The last section of the article is devoted to ergonomics. The names of offices and enterprises, operas, theaters, cinemas and canteens, cafes, restaurants refer to ergonomics. The article uses many examples from literature and cinema.
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| Some onomastic stylistic features of written literature place in film language | Terminology Issues /Cild: 1 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to the place …
The article is devoted to the place of some onomastic stylistic features of written literature in the language of cinema. The stylistic possibilities of onomastic units are somewhat different from folklore ones in their features and characteristics. This can be said about the majority of onomastic units. Film scripts report that the same name is used in several films. It is also said that any names serve a specific purpose.
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| Some onomastic stylistic features of oral literature in the language of сinema | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to some onomastic …
The article is devoted to some onomastic stylistic features of oral literature in the language of
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| On reconciliation in the language of cinema | Terminology Issues /Cild: 2 | Fizuli Mustafayev | 0 | 2023 |
The presented article is devoted to the …
The presented article is devoted to the relationship of harmony in the language of cinema. In the language of cinema, reconciliation relationships are associated with personality and quantity. This means that whoever the subordinate side belongs to, the subordinate side also takes on the grammatical features that belong to that person, and the subordinate's singular and plural are also reflected in the subordinate side.
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| Phrases and syntax in the language of cinema | Terminology Issues /Cild: 1 | Fizuli Mustafayev | 0 | 2023 |
The article is devoted to phrases and …
The article is devoted to phrases and syntagas in the language of cinema. The problem of syntax does not have a very ancient history as an independent topic. Even independent scientific research has not been written about this either in general linguistic terms, or in materials of different languages. Therefore, the article pays special attention to this issue. Research shows that this is a completely new issue for both Turkic studies and Azerbaijani linguistics. Along with all this, in our linguistics, the original features of the syntax are noted, which do not replace other issues. In these aspects of the cinema language, the thoughts on syntax are interesting. According to the research carried out in the article, it is these features that allow the syntagma to live and stand out as an independent topic. It should be noted that syntax in linguistics is not fixed on a specific object. However, linguistics does not tackle the issue of …
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| Using sentence types for intonation in cinematic language | Philology and Art Studies /N: 1 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the rules …
The article is devoted to the rules of using sentence types for intonation in the language
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| Rules for using sentence types according to intonation in cinema language | Philology and Art Studies /N: 2 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the rules …
The article is devoted to the rules for the use of types of sentences on intonation in the
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| Lexico-semantic features of the ethnonyms of the cinema language | Terminology Issues /Cild: 2 | Fizuli Mustafayev | 0 | 2024 |
The article is devoted to the lexical …
The article is devoted to the lexical and semantic features of ethnonyms in film language. It is noted that the study of the lexical and semantic features of ethnonyms provides interesting facts both for the history of the language and for the modern literary language. Therefore, ethnonyms were in the center of attention of linguists as an onomastic unit.
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| About the feature film “Arshin Mal Alan” | Problems of Arts and Culture /Cild: 80 /N: 2 | Fizuli Mustafayev | 0 | 2022 |
The article is devoted to the language …
The article is devoted to the language and style of the feature film “Arshin Mal Alan”.“Arshin Mal Alan” gives extensive information about the language of all known poems and gazelles. There are analyzed the conversations and monologues of Askar, Asi, Gulchohra, Telli, Sultanbek and other characters. The article gives an idea of the modern Leyli and Asli of Uzeyir-bey. Uzeyir-bey tells the audience that the female devotion they hear in the works is not a legend, but a real Gulchohra. The article promotes storytelling. In other works, loyalists like Gulchohra protest only in their hearts. Gulchohra, in turn, open her chest, takes out the heart and puts it outside. The words in her tongue are the beats of her heart. It is noted that it is the use of poetic expressions that turns the film into an operetta. The article says that, taking into account musical performance and musical
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| Research of critical points in the energy spectrum of TIInSe {sub 2} | Fizika (Baku) /Cild: 6 | ST Kagramanova, FA Mustafayev, NA Djavadov | 0 | 2000 |
The present work is devoted to detail …
The present work is devoted to detail study and environment of the band structure TIInse{sub 2}. With this purpose it was analyzed the spectroellipsometric measurement results of imaginary and real parts of dielectric function in an energy range 1.2-3.02 eV for detection of Vanhove sinularities. The classification of the found structures, identification to their transitions in the earlier designed band strucutre TIInSe{sub 2} is carried out. The correlation energy position of structures observed in TIInSe{sub 2} with the energy position of structures found in base crystal TISe is found.
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| ABOUT COMBINATIONS OF ADVERBS AND VERBS IN THE LANGUAGE OF CINEMA | Linguistic Researches /N: 1 | Fizuli Mustafayev | 0 | 2025 |
The article is devoted to combinations of …
The article is devoted to combinations of adverbs and verbs in the language of cinema. It is clear that in the language of cinema, the expression" act like an envelope" can be understood in different contexts. All words that act as an envelope in a sentence can be interpreted as words that simultaneously act as an envelope. According to the study, in the language of cinema the formula" envelope-verb" has a broader meaning, and we, in principle, do not limit the first part of these combinations to words included in the envelope as part of speech. This is inferred from the meaning that the semantic relationship between the sides of an adverb and a verb is mainly determined by the meaning of the first sides. In this regard, the presence of a number of ties between the
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| Language and style features of the feature film “Is not that one, then this one” | Problems of Arts and Culture /Cild: 77 /N: 3 | Fizuli Mustafayev | 0 | 2021 |
The article is devoted to the language …
The article is devoted to the language and style of the feature film “O olmasın bu olsun”. The article explores interesting aspects of the film. The main character here is Mashadi Ibad. He’sa comic character. But this is not satirical. For example, Mardjan bey wants to get a new wife, but the public hates him. Mashadi Ibad also wants to get married in old age, but the audience does not hate him, he laughs sweetly. His comedy is different in age from the girl he married. However, the transfer of girls at a young age is considered a national tradition in our country. The article says that Gulnaz Aliyeva, the bride of Mashadi Ibad, is fifteen years old, and this is perceived as an act contrary to family problems. It even appears in the film that Gulnaz loves Sarvar and marries him. So it’s time for Gulnaz to get married. The article talks about Mashadi’s greed. Haji Gara is stingy and the public hates him. But Mashadi doesn’t hate Ibada. Haji Gara hides his money and does not spend it on his family. But Mashadi, if necessary, pours his money left and right, and gives money for bathing to intellectuals. How many people owe him–if he was stingy, he would not give. As for one of the porters’ abbeys, this is Uzeyir-bek’s own business. When Mashadi gave the money to the porter, one of the laugh lines broke off. Mashadi Ibad is well-known, he has good financial skills. He has a lot of money, he has a state. He even
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| Pronunciation methods in movie of Azerbaijan | Problems of Arts and Culture /Cild: 59 /N: 1 | Fizuli Mustafayev | 0 | 2017 |
The provided article deals the pronunciation methods …
The provided article deals the pronunciation methods in movie of Azerbaijan. Research of literary pronunciation methods is one of the most important problems for learning of movie language. Film di rectors and actors use various pronunciation forms as methodical means in order to revive of inner moral life of characters more widely and to perform these characters comprehensively in the eyes of audiences. They differ negative and positive characters from purpose, condition, communication features point of views.
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