Profil səhifəsi

Azərbaycan Milli Elmlər Akademiyası
İnsan resursları və elmmetrik məlumatlar bazası

Elmi fəaliyyət

Qeyd: Elmi işlərin xülasələri əsasında süni intellekt (Gemini AI) tətbiqi ilə tərtib olunmuşdur

Ümumi xülasə (AI):

Ataəmi Mirzəyev, Nizami Gəncəvi adına Ədəbiyyat İnstitutunun Füzulişünaslıq sektorunda çalışan elmi işçidir. Onun elmi fəaliyyəti əsasən Füzuli yaradıcılığının tədqiqinə, Azərbaycan ədəbiyyatının periodizasiyasına və klassik ədəbiyyatın müqayisəli təhlilinə yönəlmişdir. Google Scholar profilində 11 nəşri qeydə alınmışdır. Mirzəyevin əsərləri əsasən “Azerbaijan Literature Studies” və “Müqayisəli Ədəbiyyatşünaslıq/Comparative Literature” kimi jurnallarda dərc olunub.

Ataami Mirzayev is a researcher at the Fuzulishunaslik sector of the Institute of Literature named after Nizami Ganjavi. His research focuses primarily on the study of Fuzuli's works, the periodization of Azerbaijani literature, and the comparative analysis of classical literature. According to his Google Scholar profile, he has 11 publications. His articles have been published mainly in journals such as "Azerbaijan Literature Studies" and "Comparative Literature".

Атаами Мирзаев - научный сотрудник сектора Фузуливедения Института литературы имени Низами Гянджеви. Его научная деятельность в основном направлена на исследование творчества Фузули, периодизацию азербайджанской литературы и сравнительный анализ классической литературы. Согласно его профилю в Google Scholar, у него 11 публикаций. Его статьи в основном опубликованы в таких журналах, как "Azerbaijan Literature Studies" и "Comparative Literature".

Tədqiqat maraqları (AI):

Füzuli yaradıcılığı, Azərbaycan klassik ədəbiyyatı, ədəbi əlaqələr, ədəbiyyatşünaslıq

İxtisas sahələri (AI):

Füzuli yaradıcılığı, Azərbaycan klassik ədəbiyyatı, ədəbi əlaqələr, ədəbiyyatşünaslıq

Şəxsi məlumatlar

Tam Adı:

Ataəmi Bala Baba oğlu Mirzəyev

Elmi dərəcə:

Filologiya elmləri doktoru

Elmi ad:

Dosent

Təvəllüd:

Ünvan:

Telefon:

Email:

İş yeri məlumatları

Təşkilat / Şöbə:

Nizami Gəncəvi adına Ədəbiyyat İnstitutu / Füzulişünaslıq sektoru

Vəzifə:

Sektor müdiri

Əsas iş yeri:

Bəli

İşləmə müddəti:

1 Yanvar 2024 – H/h

Elmi işlərin siyahısı

İşin adı	Jurnalın adı, Nəşriyyat, cild, N	Müəlliflər	Nəşr tarixi	Abstrakt və oxşar məqalələr
The concept of periodization of Azerbaijani literature in Salim Rafig Rafioglu’s creative work	Philology and Art Studies /N: 2	Ataemi Mirzayev	2022	Studying the development history of Azerbaijani literature … Studying the development history of Azerbaijani literature by stages has always been the focus of attention in literary studies. Thoughts about the periodization of history of literature were also reflected in literary histories, textbooks, research works written in different periods, in respect to this different classification have been made. However, the development stages of Azerbaijani literature was scientifically traced by academician Isa Habibbeyli for the first time and classified on the basis of one concept. The thoughts of the scholar about periodization of Azerbaijani literature were reflected in the book “Azerbaijani literature: periodization concept and development stages”. Daha çox Əlaqəli məqalələr(Google)
Mahammad Fuzuli’s takhmis written to Habibi’s ghazal	Azerbaijan Literature Studies /N: 1	Ataəmi Mirzəyev	2024	There are examples of almost all genres … There are examples of almost all genres of classical poetry in the divan of lyrical poems written in his native language by the great Azerbaijani poet Mahammad Fuzuli (1494-1556). Familiarity with the diwan shows that Fuzuli like his predecessors, benefited from the legacy of many masters and continued and developed their literary traditions in a new direction. There are two takhmises and nazires among the poems of Fuzuli's diwan. Fuzuli wrote takhmises to ghazals of Mevlana Lutfi, Chagatai poet of XV century and his contemporary Habibi and created the classical samples of this genre. Daha çox Əlaqəli məqalələr(Google)
Füzulinin Lütfi qəzəlinə yazdığı təxmis:(Fuzuli’s takhmis written to Lutfi’s ghazal)	Comparative Literature /N: 2	Ataəmi Mirzəyev	2023	Mahammad Fuzuli’s (1494-1556) literary heritage is very … Mahammad Fuzuli’s (1494-1556) literary heritage is very rich and multicolored in terms of genres, themes, ideas and content. He used different genres of classical poetry in his diwan of lyrical poems written in native language and created complete examples of every genre. There are nazires he wrote to his predecessors and contemporaries, as well as two examples of takhmis among the poems of Fuzuli's diwan. The poet wrote takhmises to ghazals of Mevlana Lutfi, Chagatai poet of XV century and his contemporary Habibi and enriched our diwan literature with classical samples of this genre.In the article is dealt with the Lutfi’s ghazal that attracts attention from the point of view of Azerbaijani-Chagatai literary relations and the takhmis written to this ghazal in detail. Fuzuli’s takhmis is researched on stanzas in comparison with the ghazal by Lutfi. The similarity of content, Daha çox Əlaqəli məqalələr(Google)
Praise of Baghdad in Fuzuli’s qasidas	Azerbaijan Literature Studies /N: 1	Ataəmi Mirzəyev	2023	The literary heritage of Mahammed Fuzuli (1494-1556) … The literary heritage of Mahammed Fuzuli (1494-1556) is rich and multifaceted in terms of themes, forms and genres. Better known in the Turkic world as the creator of ghazals, the poet’s “Divan of qasidas” was widely used, including qasidas in three languages (Azerbaijani, Persian and Arabic). Among Fuzuli’s qasidas, which are rich and colorful in terms of topic, there are also examples related to the holy people of the Islamic religion, as well as a number of historical events and personalities of the period in which the poet lived. Daha çox Əlaqəli məqalələr(Google)
Heydar Aliyev’s love for the poetry of Mahammad Fuzuli	Azerbaijan Literature Studies /N: 2	Ataəmi Mirzəyev	2023	The national leader of the Azerbaijani people, … The national leader of the Azerbaijani people, Heydar Aliyev, has invaluable services in the study and promotion of the history, culture and literature of Azerbaijan. The work carried out during the years of this outstanding personality at the head of the republic, covers all stages of the history of our centuries-old literature. The study of the literary heritage of classics and modern masters has always been the focus of Heydar Aliyev, who issued decrees on holding their anniversaries. The great leader personally participated in events and anniversaries related to all spheres of art, and in extensive and meaningful speeches highly appreciated their role and significance in history. Daha çox Əlaqəli məqalələr(Google)
Radif in Khurshidbanu Natavan’s poem	Azerbaijan Literature Studies /N: 2	Ataəmi Mirzəyev	2022	In the classical Eastern poetry, in addition … In the classical Eastern poetry, in addition to form and content, the way words and phrases are pronounced is also important so special attention is paid to the methods creating harmony as rhyme and poem. Khurshidbanu Natavan (1832-1897) was known as the author of works expressing feelings of love, natural beauty, sadness and grief about her life in Azerbaijani literature of 19th century. Khurshidbanu Natavan’s poems are not only unique in terms of content, subject and poetic aspects, but also distinguished by the rich radifs. In the article is explored the issues such as the connection between the radifs used by the poet with the thoughts expressed in ghazals, consisting of from native or borrowed words and the classification in terms of word count on the basis of specific examples. Special attention is also paid to the influence of the radifs used by Natavan to the literature after her. Their predecessor-caliphate relations with the creativity of Natavan are revealed based on the radifs used in the works by several artists. In the article is stated that Natavan poetry strongly influenced on the literature after her not only in terms of subject and idea, but also with her multifaceted and rich radifs. Daha çox Əlaqəli məqalələr(Google)
Unity of epic narrative with lyrical introduction in Nizami’s “Khamsa”	Azerbaijan Literature Studies /N: 2	Ataəmi Mirzəyev	2021	It is known that there are some … It is known that there are some common traditional features between the examples of Azerbaijani epic poetry written in Persian and the examples created in Persian literature in ancient times. As in Persian literature, samples of Azerbaijani epic poetry were written in the form of masnavi and according to the existing tradition, the use of other lyric poetry genres among epic poems was not considered acceptable. However, epic narrative forms a unity with lyrical expression in the works included in “Khamsa” by Nizami Ganjavi (1141-1209). The poet in his poems such as “Khosrow and Shirin”,“Leyli and Majnun” and “Seven Beauties” also used lyrical elements, which he called ghazal for revealing the inner world of characters and expressing the emotions that they experienced, conditionally. Although these examples do not meet the requirements of the ghazal genre in terms of structure, form and volume, they are absolutely compatible with the ghazal genre in terms of content. In the scenes where such examples are used in the mesnevis included in Khamsa, the dynamics of narrative of the epic poem become weak and the lyrical narration exceeds it. Such a situation observed in" Khamsa" draws attention by Nizami as a way out of the existing epic poetry tradition of the period. Especially in the examples on the further development of our epic poetry in native language, the unity of epic narrative with lyrical expression can be evaluated as the effect of Nizami's poetry. Daha çox Əlaqəli məqalələr(Google)

Tarix	Ümumi Məqalə sayı	Ümumi İstinad sayı	h index
1 Noyabr 2025	12	5	1
1 Oktyabr 2025	11	0	0
1 Sentyabr 2025	11	0	0
1 Avqust 2025	11	0	0
1 İyul 2025	2	0	0
1 İyun 2025	2	0	0
1 May 2025	2	0	0
1 Aprel 2025	2	0	0
1 Mart 2025	2	0	0
1 Fevral 2025	4	0	0
1 Yanvar 2025	4	0	0
1 Dekabr 2024	4	0	0
1 Noyabr 2024	4	0	0
1 Oktyabr 2024	4	0	0
1 Sentyabr 2024	4	0	0
1 Avqust 2024	4	0	0
1 İyul 2024	4	0	0
1 İyun 2024	3	0	0

Content for WOS.

Elmi işlərin siyahısı

İşin adı	Jurnalın adı, Nəşriyyat, cild, N	Müəlliflər	İstinad sayı	Nəşr tarixi	Abstrakt və oxşar məqalələr
The concept of periodization of Azerbaijani literature in Salim Rafig Rafioglu’s creative work	Philology and Art Studies /N: 2	Ataemi Mirzayev	0	2022	Studying the development history of Azerbaijani literature … Studying the development history of Azerbaijani literature by stages has always been the focus of attention in literary studies. Thoughts about the periodization of history of literature were also reflected in literary histories, textbooks, research works written in different periods, in respect to this different classification have been made. However, the development stages of Azerbaijani literature was scientifically traced by academician Isa Habibbeyli for the first time and classified on the basis of one concept. The thoughts of the scholar about periodization of Azerbaijani literature were reflected in the book “Azerbaijani literature: periodization concept and development stages”. Daha çox Əlaqəli məqalələr(Google)
FUZÛLÎ’NİN HADİKATÜ’S-SÜEDA ADLI ESERİNDEKİ MANZUM KISIMLAR ÜZERİNE	Electronic Turkish Studies /Cild: 4 /N: 7	Ataemi Mİrzayev	0	2009	Hadikatü’s-süeda hacim itibariyle Fuzûlî’nin en büyük eseri … Hadikatü’s-süeda hacim itibariyle Fuzûlî’nin en büyük eseri ve İran yazarı Hüseyin Vaiz Kâşifî’nin Ravzatü’ş-şüheda’sının Türkçeye serbest çevirisidir. Her iki eser genellikte mensur olsa da, bütün sayfaları yer yer manzum kısımlarla süslenmiştir. Daha çox Əlaqəli məqalələr(Google)
Mahammad Fuzuli’s takhmis written to Habibi’s ghazal	Azerbaijan Literature Studies /N: 1	Ataəmi Mirzəyev	0	2024	There are examples of almost all genres … There are examples of almost all genres of classical poetry in the divan of lyrical poems written in his native language by the great Azerbaijani poet Mahammad Fuzuli (1494-1556). Familiarity with the diwan shows that Fuzuli like his predecessors, benefited from the legacy of many masters and continued and developed their literary traditions in a new direction. There are two takhmises and nazires among the poems of Fuzuli's diwan. Fuzuli wrote takhmises to ghazals of Mevlana Lutfi, Chagatai poet of XV century and his contemporary Habibi and created the classical samples of this genre. Daha çox Əlaqəli məqalələr(Google)
Füzulinin Lütfi qəzəlinə yazdığı təxmis	Müqayisəli Ədəbiyyatşünaslıq / Azerbaycan Milli Bilimler Akademisi Nizami Gencevi adına Edebiyat Enstititüsü /N: 2 səh: 40-45	Ataəmi Mirzəyev	0	2023	Məhəmməd Füzulinin (1494-1556) ədəbi irsi janr, mövzu, … Məhəmməd Füzulinin (1494-1556) ədəbi irsi janr, mövzu, ideya və məzmun baxımından olduqca zəngin və rəngarəngdir. O, ana dilində yazdığı lirik şeirlər divanında klassik şeirin müxtəlif janrlarından istifadə etmiş, hər bir janrın kamil örnəklərini yaratmışdır. Füzulinin divanına daxil olan şeirlər içərisində orijinal sənət əsərləri ilə yanaşı, sələf və müasirlərinə yazdığı nəzirələr, eləcə də iki təxmis örnəyi vardır. Şair XV əsr cığatay şairi Mövlana Lütfi və müasiri Həbibinin qəzəllərini təxmis edərək, divan ədəbiyyatımızı bu janrın klassik nümunələri ilə zənginləşdirmişdir. Məqalədə Azərbaycan-cığatay ədəbi əlaqələri baxımından diqqəti cəlb edən Lütfinin qəzəli və ona yazılmış təxmis haqqında geniş və ətraflı bəhs olunur. Füzulinin təxmisi bəndlər üzrə Lütfinin qəzəli ilə müqayisəli şəkildə araşdırılır. Hər bənddə əlavə edilən misralar ilə təxmis olunan beyt arasındakı məzmun, fikir, dil-üslub, ritm və ahəng bağlılığı üzə çıxarılır. Aparılan müqayisə və təhlillərdən aydın olur ki, sözügedən təxmisin hər bir bəndində Füzulinin misraları ilə Lütf inin beytləri vəhdət təşkil edərək bitkin bir fikrin ifadəsi kimi özünü göstərir. Həm Füzulinin artırdığı üç misra, həm də Lütfinin təxmis edilən beyti söz və ifadə, dil-üslub, məzmun, vəzn baxımından o qədər yaxındır ki, onları bir-birindən ayırmaq belə çətindir. Bu deyilənlər hər iki şairin yaradıcılığı arasındakı mənəvi bağlılıqla yanaşı, Füzuli sənətinin böyüklüyünün təsdiqi kimi də diqqəti cəlb edir. Daha çox Əlaqəli məqalələr(Google)
Füzulinin Lütfi qəzəlinə yazdığı təxmis:(Fuzuli’s takhmis written to Lutfi’s ghazal)	Comparative Literature /N: 2	Ataəmi Mirzəyev	0	2023	Mahammad Fuzuli’s (1494-1556) literary heritage is very … Mahammad Fuzuli’s (1494-1556) literary heritage is very rich and multicolored in terms of genres, themes, ideas and content. He used different genres of classical poetry in his diwan of lyrical poems written in native language and created complete examples of every genre. There are nazires he wrote to his predecessors and contemporaries, as well as two examples of takhmis among the poems of Fuzuli's diwan. The poet wrote takhmises to ghazals of Mevlana Lutfi, Chagatai poet of XV century and his contemporary Habibi and enriched our diwan literature with classical samples of this genre.In the article is dealt with the Lutfi’s ghazal that attracts attention from the point of view of Azerbaijani-Chagatai literary relations and the takhmis written to this ghazal in detail. Fuzuli’s takhmis is researched on stanzas in comparison with the ghazal by Lutfi. The similarity of content, Daha çox Əlaqəli məqalələr(Google)
Praise of Baghdad in Fuzuli’s qasidas	Azerbaijan Literature Studies /N: 1	Ataəmi Mirzəyev	0	2023	The literary heritage of Mahammed Fuzuli (1494-1556) … The literary heritage of Mahammed Fuzuli (1494-1556) is rich and multifaceted in terms of themes, forms and genres. Better known in the Turkic world as the creator of ghazals, the poet’s “Divan of qasidas” was widely used, including qasidas in three languages (Azerbaijani, Persian and Arabic). Among Fuzuli’s qasidas, which are rich and colorful in terms of topic, there are also examples related to the holy people of the Islamic religion, as well as a number of historical events and personalities of the period in which the poet lived. Daha çox Əlaqəli məqalələr(Google)
Heydar Aliyev’s love for the poetry of Mahammad Fuzuli	Azerbaijan Literature Studies /N: 2	Ataəmi Mirzəyev	0	2023	The national leader of the Azerbaijani people, … The national leader of the Azerbaijani people, Heydar Aliyev, has invaluable services in the study and promotion of the history, culture and literature of Azerbaijan. The work carried out during the years of this outstanding personality at the head of the republic, covers all stages of the history of our centuries-old literature. The study of the literary heritage of classics and modern masters has always been the focus of Heydar Aliyev, who issued decrees on holding their anniversaries. The great leader personally participated in events and anniversaries related to all spheres of art, and in extensive and meaningful speeches highly appreciated their role and significance in history. Daha çox Əlaqəli məqalələr(Google)
Radif in Khurshidbanu Natavan’s poem	Azerbaijan Literature Studies /N: 2	Ataəmi Mirzəyev	0	2022	In the classical Eastern poetry, in addition … In the classical Eastern poetry, in addition to form and content, the way words and phrases are pronounced is also important so special attention is paid to the methods creating harmony as rhyme and poem. Khurshidbanu Natavan (1832-1897) was known as the author of works expressing feelings of love, natural beauty, sadness and grief about her life in Azerbaijani literature of 19th century. Khurshidbanu Natavan’s poems are not only unique in terms of content, subject and poetic aspects, but also distinguished by the rich radifs. In the article is explored the issues such as the connection between the radifs used by the poet with the thoughts expressed in ghazals, consisting of from native or borrowed words and the classification in terms of word count on the basis of specific examples. Special attention is also paid to the influence of the radifs used by Natavan to the literature after her. Their predecessor-caliphate relations with the creativity of Natavan are revealed based on the radifs used in the works by several artists. In the article is stated that Natavan poetry strongly influenced on the literature after her not only in terms of subject and idea, but also with her multifaceted and rich radifs. Daha çox Əlaqəli məqalələr(Google)
Masihi Tabrizi’s takhmises written to Alisher Navoi’s ghazals	Müqayisəli Ədəbiyyatşünaslıq/Comparative Literature /N: 02	Ataemi Mirzayev	0	2022	Only a compilation lyric poems of Masihi … Only a compilation lyric poems of Masihi Tabrizi who created and lived in the 16th century are known to the world of science. That Diwan for many years has been ascribed to Sheykh Masud Ruknaddin, the poet of 1 th century, known as the author of “Varga and Gulsha”. But the researches shows that this diwan belongs to another artist with pseudonym “Masihi” lived in the 16th century. It is clear from the poem that Masihi Tabrizi, like many artists of that period, in his artistic heritage continued and developed the rich literary traditions of the great Uzbek poet Alisher Navoi (1441-1501) in a new direction. Even in the language of the poet's works is dominated by elements belonging to the Chagatai Turkic, as the impact of Navoi’s poetry. Imitative poems written to Navoi’s ghazals have a special place in the poems included in Masihi’s diwan. Even the poet wrote the two takhmises to the ghazals of Navoi. Daha çox Əlaqəli məqalələr(Google)
Unity of epic narrative with lyrical introduction in Nizami’s “Khamsa”	Azerbaijan Literature Studies /N: 2	Ataəmi Mirzəyev	0	2021	It is known that there are some … It is known that there are some common traditional features between the examples of Azerbaijani epic poetry written in Persian and the examples created in Persian literature in ancient times. As in Persian literature, samples of Azerbaijani epic poetry were written in the form of masnavi and according to the existing tradition, the use of other lyric poetry genres among epic poems was not considered acceptable. However, epic narrative forms a unity with lyrical expression in the works included in “Khamsa” by Nizami Ganjavi (1141-1209). The poet in his poems such as “Khosrow and Shirin”,“Leyli and Majnun” and “Seven Beauties” also used lyrical elements, which he called ghazal for revealing the inner world of characters and expressing the emotions that they experienced, conditionally. Although these examples do not meet the requirements of the ghazal genre in terms of structure, form and volume, they are absolutely compatible with the ghazal genre in terms of content. In the scenes where such examples are used in the mesnevis included in Khamsa, the dynamics of narrative of the epic poem become weak and the lyrical narration exceeds it. Such a situation observed in" Khamsa" draws attention by Nizami as a way out of the existing epic poetry tradition of the period. Especially in the examples on the further development of our epic poetry in native language, the unity of epic narrative with lyrical expression can be evaluated as the effect of Nizami's poetry. Daha çox Əlaqəli məqalələr(Google)
Predecessors and followers: Navai and Fuzuli	Müqayisəli Ədəbiyyatşünaslıq/Comparative Literature /N: 01	Ataemi Mirzayev	0	2020	The article involves in Azerbaijan-Uzbek literary relations … The article involves in Azerbaijan-Uzbek literary relations in the context of the creativity of Alishir Navai. It is noted that the creativity of each master should be researched in the background of predecessor-follower relations. Because value of the master is measured by his influence on the development of literature created after him. The Azerbaijani literature has a great role in growing Navai as a master. It is known Navai also occupies a place as a master who wrote an equivalent of “Khamsa” by Nizami in in Chagatai turkish. As Navai benefited from the Azerbaijani literature, Navai's influence in Azerbaijani literature was strong in the following period. It is not Daha çox Əlaqəli məqalələr(Google)
Fuzûlî’nin Hadikatü’s-Süeda Adlı Eserindeki Manzum Kısımlar Üzerine	Turkish Studies / Ankara Science University /Cild: 4 /N: 7 səh: 438	Ataemi Mirzayev	5	2009	Hadikatü’s-süeda hacim itibariyle Fuzûlî’nin en büyük eseri … Hadikatü’s-süeda hacim itibariyle Fuzûlî’nin en büyük eseri ve İran yazarı Hüseyin Vaiz Kâşifî’nin Ravzatü’ş-şüheda’sının Türkçeye serbest çevirisidir. Her iki eser genellikte mensur olsa da, bütün sayfaları yer yer manzum kısımlarla süslenmiştir. Hadikatü’s-süeda eserindeki manzum kısımların Hüseyin Vaiz Kâşifî’nin Ravzatü’ş-şüheda’daki manzumelerle kıyaslanması sonucunda ilk defa olarak böyle bir kanaate varılmıştır ki, Fuzûlî’nin çevirisindeki şiirlerin hepsi onun özgün şiirleri değildir. Onların bir kısmı Ravzatü’ş-şüheda’dan aynen alınmış, bir kısmı tercüme edilmiş, bir kısmıysa nazire olarak kaleme alınmıştır. Bütün araştırıcılar Fuzûlî’nin Hadikatü’s-süeda eserinde kullandığı manzum kısımların Türk ve Arap dillerinde olduğunu belirtseler de, bildiride net örneklere dayanılarak bu eserde Farsça şiirlerin olduğu da kanıtlanmıştır. Daha çox Əlaqəli məqalələr(Google)

Ataəmi Mirzəyev

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